The band comprised touring bassist Ben Whiteley, drummer Don Kerr, and guests, including Ryan Driver (Jennifer Castle), Ben Boye (Ty Segall, Ryley Walker), and Will Kidman (The Constantines). Reaching towards a sort of accelerated talking blues, she sings with a new rapid-fire vocal style.Īfter two records made in close collaboration with other musicians, including Loyalty, which FADER called “the best folk album of the year,” and Exclaim!echoed with a stellar 9/10, Lindeman self- produced for the first time since her debut. There are big, buzzing guitars, thrusting drums, horror-movie strings and her keening, Appalachian-tinged vocal melodies. “I wanted to make a rock and roll record,” Lindeman explains, “but one that sounded how I wanted it to sound, which of course is nothing like rock and roll.” The result declares its understated feminist politics and new sonic directions from its first moments. It’s an emotionally candid statement – a work of urgency, generosity and joy – that feels like a collection of obliquely gut-punching short stories. ![]() ![]() With The Weather Station, Lindeman reinvents her songcraft with a vital new energy, framing her prose-poem narratives in bolder musical settings. The Weather Station has been acclaimed for her “measured, perceptive storytelling… an unmistakable and communicative voice, able to convey hope and hurt with equal clarity” (Pitchfork).
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